This drama unfolds as a whimsical comedy or a delightful encounter with humour. It weaves together a tapestry of both small and grand marvels, drawing inspiration from the tales of the Arabian Nights.
Ali Baba, accompanied by his trusty donkey, opens the hidden door in the cave but discovers no treasure within. Instead, he finds some ancient, worthless artifacts and a lamp clutched by rust.
However, it is from this very lamp that the wish-fulfilling "Genie" emerges.
The narrative of Ali Baba intertwines with that of Aladdin. Characters such as Morgiana, Ali, and the donkey form strong bonds with the Genie. Soon, an eccentric army is assembled. Meanwhile, the band of thieves finds themselves idle in today’s hyper-competitive scope of employment, and thus devoid of any occupation.
Now, in pursuit of the "Enchanted Lamp", the magician startles the gang of thieves in their hideout, with Aladdin in his subjugation. The magician desires limitless wealth and power, therefore he must retrieve the lost lamp. This sets the stage for a comical battle.
On one front, we have the gang of thieves and the magician. On the other, simple ordinary folks like Ali Baba, Morgiana, the donkey, Aladdin and Qasim, representing the proletariat.
Whom will the Genie favour? Who will win this preposterous fight?
Well, the answer my friend is not blowing in the wind, but lies within the joyride journey of this nonsense narrative.
"How high can a donkey climb? Kumroptash knows… And the meaning of this play boggles in the
realm of thrilling clouds."
Hence, citizen, netizen and children... Be there to enjoy a rollercoaster spin with the “Hibijibi
Bahinee”.
